#this part made me very emotional

[perplexingly]

“He never had any real hope in the affair from the beginning; but being a cheerful hobbit he had not needed hope, as long as despair could be postponed.”

The comic is based on a scene from the chapter “The passage of the marshes”

[ruporas]

it's time to go, my love (ID in alt)

[crescentfool]

reunion 🌸

[asparklethatisblue]

I cannot even begin to explain the cognitive dissonance of having grown up hearing of how my family survived the holocaust, of how life is sacred above all else and any other commandment… and then watching Israel invoke both religion and the Shoa while committing such violence and invoking the very same stuff that makes me think there's little worse?

Join protests, donate, try to make sure things can't be swept under the rug. I don't know what we can do to actually stop the genocide, but we also can't stop trying?

Donate to MAP - Medical Aid for Palestine

Or if you want a direct way to help a family, my friend Ahmed has a GFM as he's trying to afford food and winter supplies for his family. There is barely any food to be found, and if there is it's expensive, and his brother needs a waterproof tent

[jovieinramshackle]

I always try to not be shy about the fact Pio does not pass as a man at all, and that he is in a situation where he cannot take the steps to do so (medically transitioning basically)— not just financially, but mentally too.

He hates his chest, his private parts and the fact they cause hin extreme dysphoria once a month from his period, his voice is audibly feminine, he even has very "soft feminine" features, he is often mistaken for a butch woman and misgendered a lot (he's also very anxious about correcting people, since he's afraid of how they'll react).

And I feel it's important from me to showcase these features, because they’re part of a realty many transmasc/guys/men like me go through.

The thing about Pio is that he has an extremely hard time believing he's a "real man". Almost everything in his life is an active reminder that society does not see him as a man, and he has internalised it. He is happy the people close to him (his father, Chris and his family) confirm they see him as a man, but he has a hard time genuinely believing they actually do, because he can't possibly say the same about himself.

He's on the verge of giving up sometimes, to detransition, to go back being [REDACTED] and be a woman again. He thinks it will make life easier. After all, it'll be easier to socialise, talk to people, and even find a partner. Pio is gay after all, but what gay man would love a "woman," right? Straight men must be his only option, right?

But it won't be easier, it will outright kill.

And this is why his relationship with Fellow is so crucial to him. For all his faults, the fox did one very important thing right in the relationship— love Pio for the man that he is.

Fellow didn't always have the right words, but he knew words weren't really gonna help such a dysphoric person like Pio. The constant and consistent love and support over time was what made Pio realise how genuine Fellow was with him.

Intimacy felt less uncomfortable, it actually became enjoyable. He could actually bare his features, even if a little. He actually grow to like his voice a little, even if he's fine with it changing. Everything just became a little easier when he was with Fellow, he could actually see himself as desirable, to an other queer man no less.

He began thinking that perhaps he is a man, regardless of everything. This reduction of his dysphoria was what made him more motivated to seek medical transition later one, as he finally could think to himself, "this isn't pointless." He realised nothing can stop him from being the man that he is.

Even after their falling out during their work in Playful Land, Pio still had this drive in him. He went back to his father and started working, slowly saving up to seek a way to get his hands on HRT. And although he has a long way to go, he is for once finally determined to do what he must do for his well being.

He kinda spiralled for a while because of the falling out. He even began relying on alcohol for a bit. But this new profound drive carried him every day and kept him alive.

So basically, as angry as he is with Fellow, he will always be grateful for all the genuine love and desire he was given. It, quite literally, saved his life.

So yeah ofc they make up in the end, what did you expect, to not give them a happy ending? Poser./j

@sunnysidesevenup @theolivetree123 tagging you two cuz...Pio Lore....heh....<3

tag list : @ramshacklerumble @thehollowwriter @summerspook @scint1llat3 @skriblee-ksk

@cyanide-latte @twistedwonderlandshenanigans @oya-oya-okay @viperbunnies @jadelover69

@twsted-void @lallopsyou (lmk/dm if you wanna be added)

[cent-scratchnsniff]

my sunshine

[baeshijima]

bitches will still be crying over the high-cloud quintet at 2 am months later and never get over them

its me. im bitches.

[e-adlirez]

Spoilers for Sinsmas/Sinsmas ramble

So I had Sinsmas paused on my browser to do life stuff as usual, I Will Be Okay was in my head, and I walked back to my computer after life stuff and realized the frame I had it paused on was

D

Do you see what I'm seeing

Their positions aren't just similar, they're reversed. In "I Will Be Okay", Via is on the floor and Stolas's shadow is standing up, looking down on her and reaching a hand to her from above, which she swats away. At the end of Sinsmas, Stolas is kneeling on the floor, with Via looking down at him from above, and her hand resting on Stolas's, which she pulls away from.

AND THE PARALLELS AND REVERSALS DON'T END THERE

From what I could see, it seems like there's only one instance where the parallel doesn't totally apply.

This.

Merry Sinsmas, Helluva Boss fandom :D

:'D

[itwoodbeprefect]

all gmmtv shows are actually set in a subtle alternate universe where everyone is continuously fascinated & delighted by their printers

[dazais-guardian-angel]

Okay but forreal, now more than ever I desperately NEED Aya to eventually wreck Fyodor's shit somehow. I already wanted her to get her revenge before, but I didn't think Fyodor would even remember or know who she was, and would massively underestimate her for that reason (just like Jouno knew that Fukuchi would underestimate her). But now the story has instead created this twisted, fucked-up dynamic between them, where Fyodor not only knows her, but is protective of her for reasons that are not his own: he has taken the pure, noble, kind, fatherly love motivating Bram to protect Aya and warped it into something horrific, vowing to protect her body only while not caring how much her heart and mind has been scarred, and claiming to be doing it for her own salvation, when he cannot possibly understand the selfless feelings Bram had that made him want to protect her and care for her — feelings that he does not have. He may genuinely have some sort of affection for children (the way he treated Karma, "blessings for the children", this), but it is twisted and hollow and is quite possibly only him unconsciously acting out the motions due to behavior instilled in him from the feelings of all the people he's subsumed in the past.

All this is to say that, now the narrative has specifically pitted Aya and Fyodor together as direct enemies: she not only had reason already to hate him because he killed Bram, but because he's also taken Bram's love for her and defiled it, dishonored it and him and all that he was; meanwhile, Fyodor has given himself an arch nemesis that he no doubt takes great pleasure in seeing how much she hates him/how much despair he's brought her, but paradoxically at the same time feels a compulsion to "protect" her that draws himself to her and that he can't ignore. Aya has to defeat him somehow (not permanently, mind you; Dazai will undoubtedly be his final end), and the setup for Bram being able to fight back enough to stop Fyodor from the inside with her help is all right there, too. Their love for each other is still enduring, stronger than ever, Fyodor is proof of that right now, and they will be able to defeat him together, at least enough that Bram can be freed and come back to Aya. Dazai told Fyodor that he would lose because he doesn't understand and underestimates the power of friendship bonds and love, and there is no better a time for that to happen than here, when he is literally using someone's strong love for and connection with someone (acting as that person and claiming to know how they feel and to be the same as them) in a way that he cannot understand, which will be his undoing.

[quietwingsinthesky]

the last unicorn post from earlier has me thinking about the master. that yana is still in there, you know? is still someone he was, if even for a brief flash across the life of a time lord. there’s no way to unlive that life. there are ways to twist it later, sure, to make utopia into hell on earth. but the life was lived. in much the same way that the doctor can remember, can feel, the love he held onto as john smith even as that life is ripped out of his hands. the doctor choose denial and then grief and then to shutter it all away. and so john smith died, and so professor yana died, and the doctor and the master live on. the doctor has done this before, and he lives in orbit around humanity, trying to keep the best parts of them and hold them deep enough to take root (which he can pretend he gets to choose, as a time lord. as a human, it all floods in and can’t be dug back out.) but what about the master, right?

to borrow a turn of phrase: i think there are two time lords left in the universe, and they both learned how to regret.

[elenadoeslife]

today is our last full day in italy. we definitely tried to make the best out of a bad situation :)

[lilidawnonthemoon]

[white-weasel]

Before I started campaign 2 I was like “oh no :(( I’m gonna miss Bahumia so much :((“ and now that I’m finished with campaign 2 and ready to hop into campaign 3 and go back to Bahumia I’m like “oh no :(( I’m gonna miss Eldermourne so much :((“

The cycle continues

[we-are-not-afraid-92]

the primary reason that we have nosferatu (1922) is because bram stoker’s widow told murneau “no” to a dracula adaptation

with that in mind, we only have nosferatu (2024) because upon the discovery that the ORIGINAL nosferatu was basically dracula with the serial numbers scratched off, and the judge declared that all copies and negatives, too, had to be destroyed, some people caught wind of this and preserved copies in secret (all hail media piracy??)

had those copies not been preserved, nosferatu would likely have been a completely or almost completely forgotten horror film of the silent era

and for that matter, we only have nosferatu (2024) because robert eggers was so obsessed with the original to the point of writing a script and putting on a high school production of the original and still holding fast to adapting/reimagining it when he started film making

half the time I get simultaneously all emotional over this movie, over orlok, over everything that it all means to me in all its complexities, it’s due to some combination of these facts

I’m just so, so happy he exists. 🥲🥲

[lemongogo]